Craft Culture
North London based artist and activist Rachelle Romeo’s work caught our eye with its powerful and poetic use of embroidery. Romeo’s stitched stories of trauma, belonging, and becoming are literally mapped onto the landscapes of London and the UK – striking visual reminders of the brutal colonial legacies and ongoing trauma of the Windrush scandal […]
Amy E. Elkins reviews handiwork by Sara Baume I am amazed by craft’s enduring capacity to express complexity in a time of crisis. In Sara Baume’s new book, handiwork, the crisis is both intimate and global.[1] Strikingly printed by Tramp Press in Ireland, handiwork invites the reader into spaces of reflection, an invitation made material […]
Dressby P.M. She had no need to tell the world her intention – the dress spoke for her. It told the world: ‘I will no longer be caged, I will be free, like the long flowing tresses of this gown. Watch, as they glide across the floor like a stream.Follow me into the water.I want […]
When one imagines a needlewoman from the early twentieth century, one is likely to envisage a pale and subservient figure, skirts sweeping the floor as she sits beside the fire, needle in hand, forging upon her lap another testament of her love for the husband she awaits so patiently. One will not see a smashed […]
I have recently encountered Gilles Deleuze and Félix Guattari’s concept of the ‘rhizome’’, says Mary Sibande. ‘They say a rhizome has neither a beginning nor and end, but always a middle.’ The South African artist was referring specifically to her series of sculpture and textile works, The Purple Shall Govern (2013). The striking figure at […]
Pablo Picasso’s Guernica (1937) is one of the most famous pieces of political art. Created in response to the bombing of Guernica, a Basque Country town in Picasso’s native Spain, by Nazi Germany and Fascist Italy, the work combines the artist’s Cubist style with the traditions of political and religious banners. Guernica drew international attention […]
Two years ago while passing through Chueca in Madrid, my partner and I stopped by the little gallery Mad is Mad, on Calle Pelayo, where there has always been something to admire in the shop window. Mad is Mad sponsors quirky, out-of-the way art by emerging artists. It was June 2018. I was surprised and […]
The mysterious and enigmatic artist Madge Gill (1882-1961) defied all expectations of being a working class woman in the early 20th century. Hidden away at home, she produced a seemingly endless wealth of unique artwork almost entirely away from the public eye. Gill had no formal training, she produced the work on her own terms […]
Hannah Waldron’s weavings translate the dynamism of modern architecture and cityscapes into fabric design… Hannah exhibited ‘Span IV’ as part of WEAVE IT!. The spans series links archetypal textile design language with the built environment. The compression and extension in the compositions continues Hannah’s interest in high speed travel, rhythm, and acceleration in relation to […]
Continuing Decorating Dissidence’s exploration into the legacy of the Bauhaus weaving workshops, Suzanna Petot got in touch with Erica Warren, Associate Curator in the Department of Textiles at the Art Institute of Chicago, to ask a few questions about her career and her most recent exhibition.
Ceramics are intimately bound up with humanity. It is an empowering practice, a simple yet uplifting way of intervening in everyday life and leaving behind a trace of our touch…
Tanicia Pratt’s poem reflecting on the vulnerabilities of the digital world
A contemporary ceramics collective responds to the COVID-19 lockdown
Jenni Sorkin leads with a new take on this tussle between two forms to argue that it was ‘modern craft and not modern art that spearheaded nonhierarchical and participatory experiences’…
