Editorial 4: Materiality & Making

‘Craft’ is a broad term. It encompasses a myriad of disciplines and numerous techniques. It might be hand-made or machine guided. It might start life as a utilitarian object before becoming a historical artefact. Craft is always evolving. But something all crafts have in common is tactility. Through acts of weaving, sculpting, stitching, layering, piecing […]

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Performance: Cleaning Her

Though conceptualised for the sculpture park in Graz, the performance piece Cleaning Her by Martina Morger was first executed in Glasgow’s Merchant City in 2018. In the run-up to the performance, the concept for Cleaning Her evolved to relate to the industrial past of Scotland’s largest city more specifically. Historically a point of intersection for international merchants and local […]

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Making with Archival Material: ‘ONE PORTION LIES REVERSED’

ONE PORTION LIES REVERSED investigates the folds and creases of letters displayed within the recent ‘Rights for Women Exhibition’ at Senate House Library, University of London. Examples include a letter from Virginia Woolf to Gladys Easdale and a letter from Emmeline Pankhurst to the WSPU’s membership. The bookwork archives the language which falls on the […]

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