Stitching over history, memory and collective joy – Stephanie Francis-Shanahan’s living sculptures

A blazer and a skirt flutter in the wind at Pett Level beach in Hastings. On it are pictures of a man and a woman, across time, sown into the fabric and glazed with glue. Words travel through the garment in embroidery and the pink tulle skirt reads: my own darling (image right). As an image, it presents a ghostly figure, embodied by the movement in the wind and the stories woven into the textile. 

Stitching over history, memory and collective joy – Stephanie Francis-Shanahan’s living sculptures

LJ Roberts’ Queer Epics

LJ Roberts (b.1980) lives and works in Brooklyn, NY and is known for large-scale textile installations, intricate embroideries, artist books, collages and sculpture. Their work investigates the overlaps of queer and trans politics, alternative kinships, narrative, and material deviance. Daniel Fountain speaks to LJ here about the relationships between craft, identity and queer theory, and how this manifests itself in their practice.

LJ Roberts’ Queer Epics