‘Craft’ is a broad term. It encompasses a myriad of disciplines and numerous techniques. It might be hand-made or machine guided. It might start life as a utilitarian object before becoming a historical artefact. Craft is always evolving. But something all crafts have in common is tactility. Through acts of weaving, sculpting, stitching, layering, piecing […]
‘Civilized Man says: I am Self, I am Master, all the rest is other – outside, below, underneath, subservient. I own, I use, I explore, I exploit, I control. What I do is what matters. What I want is what matter is for. I am that I am, and the rest is women & wilderness, […]
‘Women’s work’ – this is how craft and the decorative arts have long been conceptualised. It is a highly reductive phrase in a patriarchal genealogy of art history that privileges the mind over the body, sight over touch, painting over making, and the individual genius over the work of the collective. In this issue, we […]
Welcome to the first issue of ‘Decorating Dissidence’, an online magazine dedicated exploring the political, aesthetic, and conceptual qualities of craft and the decorative arts, from the early twentieth century to the contemporary moment.