Ceramics are intimately bound up with humanity. It is an empowering practice, a simple yet uplifting way of intervening in everyday life and leaving behind a trace of our touch…
The physical, bodily processes of crafting go (often literally) hand in hand with artistic creation…
Witchcraft. Crafting is embedded in witchery, part of the practice of magic. From crafty or cunning crones to charms and casting spells; from spinning, traditions, rituals, weaving, to herbs, botanics and potions – craft, creation, myth and mystery all surround the occult. Witchcraft is intimately linked with ‘women’s work’ and the domestic arts – in […]
‘Craft’ is a broad term. It encompasses a myriad of disciplines and numerous techniques. It might be hand-made or machine guided. It might start life as a utilitarian object before becoming a historical artefact. Craft is always evolving. But something all crafts have in common is tactility. Through acts of weaving, sculpting, stitching, layering, piecing […]
‘Civilized Man says: I am Self, I am Master, all the rest is other – outside, below, underneath, subservient. I own, I use, I explore, I exploit, I control. What I do is what matters. What I want is what matter is for. I am that I am, and the rest is women & wilderness, […]
‘Women’s work’ – this is how craft and the decorative arts have long been conceptualised. It is a highly reductive phrase in a patriarchal genealogy of art history that privileges the mind over the body, sight over touch, painting over making, and the individual genius over the work of the collective. In this issue, we […]
Welcome to the first issue of ‘Decorating Dissidence’, an online magazine dedicated exploring the political, aesthetic, and conceptual qualities of craft and the decorative arts, from the early twentieth century to the contemporary moment.