Pinkie McClure is an artist using the allegorical power of medieval stained glass as a vehicle for contemporary expression. Stained glass was invented in the 12th century to communicate to a largely illiterate population, its vivid colours having a seductive quality that’s hard to resist. However, its narrative role has been largely abandoned in recent years, which is something she hopes to change by making work that reflects the world around us today.

Artist Statement: On ‘Beauty Tricks’

My goal is to seduce the eye, but crucially, to deal with contemporary subject matter, telling darkly humorous stories from modern life.  When I started work on ‘Beauty Tricks’ I wanted to make something beautiful. This led me to question interpretations of beauty and immediately a multitude of thorny contradictions popped up.

I decided to explore the way the beauty industry affects us and our environment. The central figure is based around a classic madonna, but she has liposuction lines on her torso and  hypodermic needles and scalpels adorning her halo. Her nipples have been censored. Two little girls gaze up at her beautiful pink frock from a grey world of abandoned plastic containers. Above her, medieval scales traditionally used to symbolise the ‘weighing of souls’ refer to  the long-running L’Oreal ad ‘worth it, not worth it’. A woman fires a gun at a mirror, smashing it to smithereens. To her left, a ‘kindly’ grandmother knits a web of Barbie dolls and to her right is a bulimic Rapunzel. The palm trees refer to the palm oil industry, the roses symbolise feminine beauty. At the top, Satan is hopping across the towers of Oxbridge with a pile of books heaped on his back, stealing all the knowledge while the women are distracted.

Other work:

‘Landfill Tantrum’ (2013)
Self-portrait Dreaming of Portavadie (2019)
‘The Storm’ (2017)
‘Stop Go.’ (2015)
Rewilding at the Clootie Tree (2016)

https://www.pinkiemaclure.net