The embroidery works of Lithuanian artist Severija Inčirauskaitė-Kriaunevičienė takes texture to a new level. She takes metal as her starting point – buckets, spades, even cars – and stitches into them. Challenging the domestic association with embroidery, these found objects are placed into the public realm. The kitsch cosiness that Inčirauskaitė-Kriaunevičienė associates with cross-stitching is given a twist as she pokes through metal gives new life to discarded objects. She draws on a post-Soviet landscape in Lithuania in her work, as she writes on her website “in the postwar years, our grandmothers stitched tablecloths in the villages, and the paths were so decorated, and in the Soviet era, our mothers made crossed cushions and napkins through household lessons”. This intergenerational skill-sharing is then developed in her practice, to question sentimentality and access to embroidery practices. She doesn’t want to make “private kitsch for private interiors” but rather expose the work, patience and mindfulness that goes into the cross-stitch practice. Taking the floral designs from hobby magazines, these “popular culture citations” make us look back at the origins of the techniques. These established traditions recontextualise the objects they adorn – whether that’s on broken gun shells or metal spoons. Imbued with new use, these forgotten objects might tap into a nostalgic aesthetic but actually point us towards history in a new way.
Words: Jade French
All photos: Modestas Ežerskis.