Practice-Based: Beauty Cultures, Fragmentation & Collage

“Men look at women. Women watch themselves being looked at.” John Berger “My work explores how the beauty/fashion and porn industries use imagery to sustain control over women by normalising body objectification and societal expectations of how women should present themselves. I use paint, collage and fabric work, to highlight the damaging effects these industries […]

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Review: Helene Schjerfbeck Exhibition at the Royal Academy of Arts

The painter Helene Schjerfbeck (1862—1946) is apparently ‘one of Finland’s best kept secrets’.[1] I must disagree: firstly, we Finns don’t really aim to keep national secrets (or, at the very least, we get very excited when anything Finnish, such as this exhibition, makes international news), and, secondly, Schjerfbeck is probably Finland’s most internationally acclaimed painter—that […]

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Interview: Curator Marit Paasche on Scandinavian textile artist Hannah Ryggen

The Swedish-born Norwegian artist Hannah Ryggen (1894-1970) was responsible for some of the most daring, radical textile art created in the twentieth century. Ryggen’s life and work were strikingly atypical: a self-taught weaver and committed communist living on a remote, self-sufficient farm in Norway, Ryggen rejected the art market in order to create public art […]

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Interview: Nnenna Okore on Fraying, Twisting, Teasing, Tying

Nnenna Okore is an artist, educator and environmentalist. She has received international acclaim for the ways in which she engages with the environment in her artistic practice. Her abstract sculptures are created using a range of methods; shredding, fraying, twisting, teasing, tying, weaving, stitching, and dyeing are all used to create rich, textured pieces. Her […]

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