Updates: Dissident Woolf, repair, and stylish homes

Each week, the Decorating Dissidence team send out a weekly newsletter! All our subscribers receive exclusive insights into the world of craft, making and design via reviews and interviews with contemporary makers, artists and curators. For paid subscribers, expect exclusive Q&As with craftmakers, curators, and creatives from around the world; plus a monthly download filled with recommendations and reading!

Updates: Dissident Woolf, repair, and stylish homes

Behind the Scenes: The Sleepers Quilt

This September, The Women’s Art Collection opens a new exhibition: The Sleepers. Exploring the politics of rest, the collection brings together a century of works across a variety of mediums: paintings, prints and textiles. At the heart of the exhibition is a collaborative quilt, created with women from the Cambridge Women’s Resource Centre and artist Cait Moreton-Lisle, which stitches together themes of rest, resistance, and care. Below, we go behind the scenes of quiltmaking with assistant curator Laura Moseley (who also champions craft as the founder of Common Threads Press) to talk about how the quilt is both a physical symbol of comfort and a platform for collective creativity…

Behind the Scenes: The Sleepers Quilt

🪡 Unfolding, Unpicking, Repairing: an Interview with Delaine Le Bas

This summer, Delaine Le Bas took over the vast main gallery of Glasgow’s Tramway to create an immersive, richly textured world where multiple voices and visions collide. A space of protest, peace, pain, and communion, Le Bas’ Delainia: 17071965, Unfolding challenges the narratives that underpin our society and culture, confronting viewers with questions about their own complicity in power and prejudice that oppress marginalised communities. A slogan scrawled on the gallery wall warns ‘Beware Linguistic Engineering’, a sentiment that echoes through the exhibition, as Le Bas interrogates myths, stereotypes, and the exclusionary nature of the word.

🪡 Unfolding, Unpicking, Repairing: an Interview with Delaine Le Bas