For this issue of Decorating Dissidence we wanted to reflect on last year’s centenary of the Bauhaus. Now at 101 years, the celebrations may be over but the movement’s legacy still offers much to be learned, developed and reflected on. Building on the themes of our exhibition Weave It! we want to create a space […]
‘Something speaks to us, a sound, a touch, hardness or softness, it catches us and asks us to be formed’ – Anni Albers, ‘Material as Metaphor’ (1982) 2019 marked the 100th anniversary of the opening of the Bauhaus, an experimental German art school that sought to reimagine the role of art and design in everyday […]
Amongst the latest in Bauhaus Centenary exhibition offerings comes RIBA’s ‘Beyond Bauhaus: Modernism in Britain, 1933-66’, an innovative installation of archival materials arranged inside temporary columns with geometric peep-holes cut at varying heights. Anchored in the 1930s, the exhibition presents a rich survey of avant-gardism in British architecture and design, augmented by international trends and […]
There has been a noticeable shift, more recently, to recognise the women of the Bauhaus and to provide the space to critically engage with their production…
How much Bauhaus is too much Bauhaus? A question many Germans might have asked themselves this year as every street corner in every village attempted to prove a link modernism’s most famous institution.
The artistic experimentation and innovation within the space of the domestic speaks to Bauhaus’s relationship with functionality, a sense of home, modernity, domesticity, space and interiority.
The William Morris Gallery’s compact but eye-opening exhibitions in their temporary gallery space never disappoint – and Pioneers: William Morris and the Bauhaus is no exception.