This summer, Delaine Le Bas took over the vast main gallery of Glasgow’s Tramway to create an immersive, richly textured world where multiple voices and visions collide. A space of protest, peace, pain, and communion, Le Bas’ Delainia: 17071965, Unfolding challenges the narratives that underpin our society and culture, confronting viewers with questions about their own complicity in power and prejudice that oppress marginalised communities. A slogan scrawled on the gallery wall warns ‘Beware Linguistic Engineering’, a sentiment that echoes through the exhibition, as Le Bas interrogates myths, stereotypes, and the exclusionary nature of the word.