Review: Botanical Modernisms

As Alexandra Harris notes in Romantic Moderns, modernism is more typically considered to offer allegiance ‘to the wasteland, and not the herbaceous border’, a consideration proved inadequate by the recent Botanical Modernisms symposium, held on the 17th of August 2019.[1] The midsummer’s evening event, organised by Jasmine McCrory (PhD candidate at Queen’s University Belfast) in […]

Review: Helene Schjerfbeck Exhibition at the Royal Academy of Arts

The painter Helene Schjerfbeck (1862—1946) is apparently ‘one of Finland’s best kept secrets’.[1] I must disagree: firstly, we Finns don’t really aim to keep national secrets (or, at the very least, we get very excited when anything Finnish, such as this exhibition, makes international news), and, secondly, Schjerfbeck is probably Finland’s most internationally acclaimed painter—that […]

Review: The Cutting Edge Women of British Modern Printmaking

With bold colours, pulsating patterns and dynamic figures, the works of the Grosvenor School of Modern Art exude the great vitality and rhythm of modern life in 1930s Britain. This little known group of artists is the subject of the current exhibition Cutting Edge: Modern British Printmaking at the Dulwich Picture Gallery. Taking place 90 […]

“Who’s ready for Becky’s Time!”: How Lee Minora’s ‘White Feminist’ Crafts and Deconstructs Identity

Middle fingers up and pink pussy-hat on – Becky Harlowe (Lee Minora) makes her entrance into the room. She stands tall and smiles with a wide grin as she coos “Don’t be afraid, I mean well…” like a horror movie villain who has just broken into your house…