Navigating Cultural Liminality: Private Rooms by Ghada Amer

Offering a critique of imperialist thought, Edward Said’s Orientalism created a paradigmatic shift in understanding the relationship between Western (Occidental) and non-Western (Oriental) cultures. Yet Orientalism still pervades mainstream representations of non-Western cultures, which oscillate between intense fetishization and demonization, often in almost the same breath. See for example Dalia Dawood’s description of the Aladdin […]

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Review: Botanical Modernisms

As Alexandra Harris notes in Romantic Moderns, modernism is more typically considered to offer allegiance ‘to the wasteland, and not the herbaceous border’, a consideration proved inadequate by the recent Botanical Modernisms symposium, held on the 17th of August 2019.[1] The midsummer’s evening event, organised by Jasmine McCrory (PhD candidate at Queen’s University Belfast) in […]

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Review: Helene Schjerfbeck Exhibition at the Royal Academy of Arts

The painter Helene Schjerfbeck (1862—1946) is apparently ‘one of Finland’s best kept secrets’.[1] I must disagree: firstly, we Finns don’t really aim to keep national secrets (or, at the very least, we get very excited when anything Finnish, such as this exhibition, makes international news), and, secondly, Schjerfbeck is probably Finland’s most internationally acclaimed painter—that […]

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